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*DRACULA: BRAM STOKER RARE 1902 HAND WRITTEN LETTER TO FAMOUS AMERICAN SCULPTOR*

$ 200.63

Availability: 100 in stock
  • Original/Reproduction: Original
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  • Industry: Theater
  • Signed: Yes
  • Object Type: Autograph

    Description

    A rare original boldly autographed 1902 letter from Henry Irving, the greatest British actor of his generation and the first actor to be knighted, written in the hand of Irving's Acting Manager, Bram Stoker, to the noted American sculptor William Ordway Partridge. Future Dracula author Bram Stoker was Irving's Acting Manager, and Dracula was based on Henry Irving. William Ordway Partridge was a friend of Irving, Stoker, and Edwin Booth. Dimensions eight by five inches. Light wear otherwise good. See Bram Stoker, Henry Irving, and William Ordway Partridge's extraordinary biographies below.
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    From Wikipedia:
    Abraham
    "
    Bram
    "
    Stoker
    (8 November 1847 – 20 April 1912) was an Irish author, best known today for his 1897
    Gothic
    horror novel
    Dracula
    . During his lifetime, he was better known as the personal assistant of actor Sir
    Henry Irving
    and business manager of the
    Lyceum Theatre
    , which Irving owned.
    Stoker was born on 8 November 1847 at 15
    Marino Crescent
    ,
    Clontarf
    , on the northside of
    Dublin
    , Ireland.
    [1]
    His parents were Abraham Stoker (1799–1876) from Dublin and Charlotte Mathilda Blake Thornley (1818–1901), who was raised in
    County Sligo
    .
    [2]
    Stoker was the third of seven children, the eldest of whom was
    Sir Thornley Stoker
    , 1st
    Bt.
    [3]
    Abraham and Charlotte were members of the
    Church of Ireland Parish of Clontarf
    and attended the parish church with their children, who were baptised there,
    [4]
    and Abraham was a senior civil servant.
    Stoker was bedridden with an unknown illness until he started school at the age of seven, when he made a complete recovery. Of this time, Stoker wrote, "I was naturally thoughtful, and the leisure of long illness gave opportunity for many thoughts which were fruitful according to their kind in later years." He was educated in a private school run by the Rev. William Woods.
    [5]
    After his recovery, he grew up without further serious illnesses, even excelling as an athlete at
    Trinity College, Dublin
    , which he attended from 1864 to 1870. He graduated with a BA in 1870, and pursued his MA in 1875. Though he later in life recalled graduating "with honours in mathematics", this appears to have been a mistake.
    [6]
    He was named University Athlete, participating in multiple sports, including playing rugby for
    Dublin University
    . He was auditor of the
    College Historical Society
    (
    the Hist
    ) and president of the
    University Philosophical Society
    (he remains the only student in Trinity's history to hold both positions), where his first paper was on
    Sensationalism in Fiction and Society
    .
    Early career
    Stoker became interested in the theatre while a student through his friend Dr. Maunsell. While working for the
    Irish Civil Service
    , he became the theatre critic for the
    Dublin Evening Mail
    ,
    [7]
    which was co-owned by
    Sheridan Le Fanu
    , an author of Gothic tales. Theatre critics were held in low esteem, but he attracted notice by the quality of his reviews. In December 1876, he gave a favourable review of Henry Irving's
    Hamlet
    at the
    Theatre Royal
    in Dublin. Irving invited Stoker for dinner at the
    Shelbourne Hotel
    where he was staying, and they became friends. Stoker also wrote stories, and "Crystal Cup" was published by the
    London Society
    in 1872, followed by "The Chain of Destiny" in four parts in
    The Shamrock
    . In 1876, while a
    civil servant
    in Dublin, Stoker wrote the non-fiction book
    The Duties of Clerks of Petty Sessions in Ireland
    (published 1879) which remained a standard work.
    [5]
    Furthermore, he possessed an interest in art, and was a founder of the Dublin Sketching Club in 1879.
    Lyceum Theatre
    Bram Stoker's former home,
    Kildare Street
    , Dublin
    In 1878, Stoker married
    Florence Balcombe
    , daughter of
    Lieutenant-Colonel
    James Balcombe of 1 Marino Crescent. She was a celebrated beauty whose former suitor had been
    Oscar Wilde
    .
    [8]
    Stoker had known Wilde from his student days, having proposed him for membership of the university's Philosophical Society while he was president. Wilde was upset at Florence's decision, but Stoker later resumed the acquaintanceship, and after Wilde's fall visited him on the Continent.
    [9]
    The first edition cover of
    Dracula
    The Stokers moved to London, where Stoker became acting manager and then business manager of
    Irving
    's
    Lyceum Theatre, London
    , a post he held for 27 years. On 31 December 1879, Bram and Florence's only child was born, a son whom they christened Irving Noel Thornley Stoker. The collaboration with Henry Irving was important for Stoker and through him he became involved in London's
    high society
    , where he met
    James Abbott McNeill Whistler
    and
    Sir Arthur Conan Doyle
    (to whom he was distantly related). Working for Irving, the most famous actor of his time, and managing one of the most successful theatres in London made Stoker a notable if busy man. He was dedicated to Irving and his memoirs show he idolised him. In London, Stoker also met
    Hall Caine
    , who became one of his closest friends – he dedicated
    Dracula
    to him.
    In the course of Irving's tours, Stoker travelled the world, although he never visited
    Eastern Europe
    , a setting for his most famous novel. Stoker enjoyed the United States, where Irving was popular. With Irving he was invited twice to the
    White House
    , and knew
    William McKinley
    and
    Theodore Roosevelt
    . Stoker set two of his novels in America, and used Americans as characters, the most notable being
    Quincey Morris
    . He also met one of his literary idols,
    Walt Whitman
    .
    Bram Stoker in Cruden Bay
    Slains Castle
    ,
    Cruden Bay
    . The early chapters of
    Dracula
    were written in Cruden Bay, and Slains Castle possibly provided visual inspiration for Bram Stoker during the writing phase.
    Stoker was a regular visitor to
    Cruden Bay
    in Scotland between 1893 and 1910. His month-long holidays to the Aberdeenshire coastal village provided a large portion of available time for writing his books. Two novels were set in Cruden Bay:
    The Watter's Mou'
    (1895) and
    The Mystery of the Sea
    (1902). He started writing
    Dracula
    here in 1895 while in residence at the Kilmarnock Arms Hotel. The guest book with his signatures from 1894 and 1895 still survives. The nearby Slains Castle (also known as
    New Slains Castle
    ) is linked with Bram Stoker and plausibly provided the visual palette for the descriptions of Castle Dracula during the writing phase. A distinctive room in Slains Castle, the octagonal hall, matches the description of the octagonal room in Castle Dracula.
    [10]
    Writings
    Bram Stoker Commemorative Plaque,
    Whitby
    , England
    Stoker visited the English coastal town of
    Whitby
    in 1890, and that visit was said to be part of the inspiration for
    Dracula
    . He began writing novels while working as manager for Irving and secretary and director of London's Lyceum Theatre, beginning with
    The Snake's Pass
    in 1890 and
    Dracula
    in 1897. During this period, Stoker was part of the literary staff of
    The Daily Telegraph
    in London, and he wrote other fiction, including the horror novels
    The Lady of the Shroud
    (1909) and
    The Lair of the White Worm
    (1911).
    [11]
    He published his
    Personal Reminiscences of Henry Irving
    in 1906, after Irving's death, which proved successful,
    [5]
    and managed productions at the
    Prince of Wales Theatre
    .
    Before writing
    Dracula
    , Stoker met
    Ármin Vámbéry
    , a Hungarian-Jewish writer and traveller (born in Szent-György,
    Kingdom of Hungary
    now
    Svätý Jur
    ,
    Slovakia
    ). Dracula likely emerged from Vámbéry's dark stories of the
    Carpathian mountains
    .
    [12]
    Stoker then spent several years researching Central and East European folklore and mythological stories of
    vampires
    .
    The 1972 book
    In Search of Dracula
    by
    Radu Florescu
    and
    Raymond McNally
    claimed that the Count in Stoker's novel was based on
    Vlad III Dracula
    .
    [13]
    At most however, Stoker borrowed only the name and "scraps of miscellaneous information" about Romanian history, according to one expert,
    Elizabeth Miller
    ; further, there are no comments about Vlad III in the author's working notes.
    [14]
    [15]
    [16]
    Dracula
    is an
    epistolary novel
    , written as a collection of realistic but completely fictional diary entries, telegrams, letters, ship's logs, and newspaper clippings, all of which added a level of detailed realism to the story, a skill which Stoker had developed as a newspaper writer. At the time of its publication,
    Dracula
    was considered a "straightforward horror novel" based on imaginary creations of
    supernatural
    life.
    [11]
    "It gave form to a universal fantasy ... and became a part of popular culture."
    [11]
    Stoker was a deeply private man, but his almost sexless marriage, intense adoration of
    Walt Whitman
    ,
    Henry Irving
    and
    Hall Caine
    , and shared interests with
    Oscar Wilde
    , as well as the homoerotic aspects of
    Dracula
    have led to scholarly speculation that he was a repressed homosexual who used his fiction as an outlet for his sexual frustrations.
    [17]
    In 1912, he demanded imprisonment of all homosexual authors in Britain: it has been suggested that this was due to self-loathing and to disguise his own vulnerability.
    [18]
    Possibly fearful, and inspired by the monstrous image and threat of otherness that the press coverage of his friend Oscar's trials generated, Stoker began writing
    Dracula
    only weeks after Wilde's conviction.
    [18]
    [19]
    According to the
    Encyclopedia of World Biography
    , Stoker's stories are today included in the categories of "horror fiction", "romanticized Gothic" stories, and "melodrama".
    [11]
    They are classified alongside other "works of popular fiction" such as
    Mary Shelley
    's
    Frankenstein
    ,
    [20]
    :394
    which also used the "myth-making" and story-telling method of having
    multiple narrators
    telling the same tale from different perspectives. According to historian Jules Zanger, this leads the reader to the assumption that "they can't all be lying".
    [21]
    The original 541-page typescript of
    Dracula
    was believed to have been lost until it was found in a barn in northwestern Pennsylvania in the early 1980s.
    [22]
    It consisted of typed sheets with many emendations and handwritten on the title page was "THE UN-DEAD." The author's name was shown at the bottom as Bram Stoker. Author Robert Latham remarked: "the most famous horror novel ever published, its title changed at the last minute."
    [20]
    The typescript was purchased by
    Microsoft
    co-founder
    Paul Allen
    .
    Stoker's inspirations for the story, in addition to Whitby, may have included a visit to
    Slains Castle
    in
    Aberdeenshire
    , a visit to the crypts of
    St. Michan's Church
    in Dublin, and the novella
    Carmilla
    by
    Sheridan Le Fanu
    .
    [23]
    Stoker's original research notes for the novel are kept by the
    Rosenbach Museum and Library
    in
    Philadelphia
    . A facsimile edition of the notes was created by
    Elizabeth Miller
    and
    Robert Eighteen-Bisang
    in 1998.
    Stoker at The London Library
    Stoker was a member of The
    London Library
    and it is here that he conducted much of the research for
    Dracula.
    [24]
    In 2018, the Library discovered some of the books that Stoker used for his research, complete with notes and marginalia.
    [25]
    Death
    Urn which contains Stoker's ashes in
    Golders Green Crematorium
    After suffering a number of strokes, Stoker died at No. 26
    St George's Square
    , London on 20 April 1912.
    [26]
    Some biographers attribute the cause of death to overwork,
    [27]
    others to
    tertiary syphilis
    .
    [28]
    Bram Stoker's
    death certificate
    named the cause of death as "
    Locomotor ataxia
    6 months", presumed to be a reference to syphilis.
    [29]
    [30]
    He was
    cremated
    , and his ashes were placed in a display urn at
    Golders Green Crematorium
    in north London. The ashes of Irving Noel Stoker, the author's son, were added to his father's urn following his death in 1961. The original plan had been to keep his parents' ashes together, but after Florence Stoker's death, her ashes were scattered at the Gardens of Rest.
    Beliefs and philosophy
    Stoker was raised a Protestant in the
    Church of Ireland
    . He was a strong supporter of the
    Liberal Party
    and took a keen interest in Irish affairs.
    [5]
    As a "philosophical home ruler", he supported
    Home Rule
    for Ireland brought about by peaceful means. He remained an ardent monarchist who believed that Ireland should remain within the British Empire, an entity that he saw as a force for good. He was an admirer of Prime Minister
    William Ewart Gladstone
    , whom he knew personally, and supported his plans for Ireland.
    [31]
    Stoker believed in progress and took a keen interest in
    science
    and science-based
    medicine
    . Some of Stoker's novels represent early examples of
    science fiction
    , such as
    The Lady of the Shroud
    (1909). He had a writer's interest in the occult, notably
    mesmerism
    , but despised fraud and believed in the superiority of the
    scientific method
    over superstition. Stoker counted among his friends J.W. Brodie-Innis, a member of the
    Hermetic Order of the Golden Dawn
    , and hired member
    Pamela Colman Smith
    as an artist for the Lyceum Theatre, but no evidence suggests that Stoker ever joined the Order himself.
    [32]
    [33]
    [34]
    Although Irving was an active
    Freemason
    , no evidence has been found of Stoker taking part in Masonic activities in London.
    [35]
    The
    Grand Lodge of Ireland
    also has no record of his membership.
    [36]
    Posthumous
    The short story collection
    Dracula's Guest and Other Weird Stories
    was published in 1914 by Stoker's widow,
    Florence Stoker
    , who was also his
    literary executrix
    . The first film adaptation of
    Dracula
    was
    F. W. Murnau
    's
    Nosferatu
    , released in 1922, with
    Max Schreck
    starring as Count Orlok. Florence Stoker eventually sued the filmmakers, and was represented by the attorneys of the British Incorporated Society of Authors. Her chief legal complaint was that she had neither been asked for permission for the adaptation nor paid any royalty. The case dragged on for some years, with Mrs. Stoker demanding the destruction of the negative and all prints of the film. The suit was finally resolved in the widow's favour in July 1925. A single print of the film survived, however, and it has become well known. The first authorised film version of
    Dracula
    did not come about until almost a decade later when
    Universal Studios
    released
    Tod Browning
    's
    Dracula
    starring
    Bela Lugosi
    .
    Dacre Stoker
    Canadian
    writer
    Dacre Stoker
    , a great-grandnephew of Bram Stoker, decided to write "a sequel that bore the Stoker name" to "reestablish creative control over" the original novel, with encouragement from screenwriter Ian Holt, because of the Stokers' frustrating history with
    Dracula's
    copyright. In 2009,
    Dracula: The Un-Dead
    was released, written by Dacre Stoker and Ian Holt. Both writers "based [their work] on Bram Stoker's own handwritten notes for characters and plot threads excised from the original edition" along with their own research for the sequel. This also marked Dacre Stoker's writing debut.
    [37]
    [38]
    In spring 2012, Dacre Stoker (in collaboration with Elizabeth Miller) presented the "lost" Dublin Journal written by Bram Stoker, which had been kept by his great-grandson Noel Dobbs. Stoker's diary entries shed a light on the issues that concerned him before his London years. A remark about a boy who caught flies in a bottle might be a clue for the later development of the Renfield character in
    Dracula
    .
    [39]
    Commemorations
    On 8 November 2012, Stoker was honoured with a
    Google Doodle
    on Google's homepage commemorating the 165th anniversary of his birth.
    [40]
    [41]
    An annual festival takes place in Dublin, the birthplace of Bram Stoker, in honour of his literary achievements. The 2014 Bram Stoker Festival encompassed literary, film, family, street, and outdoor events, and ran from 24–27 October in Dublin.
    [42]
    [43]
    The festival is supported by the Bram Stoker Estate
    [44]
    and funded by
    Dublin City Council
    and
    Fáilte Ireland
    .
    Sir Henry Irving
    (6 February 1838 – 13 October 1905), born
    John Henry Brodribb
    , sometimes known as
    J. H. Irving
    , was an English stage actor in the
    Victorian era
    , known as an
    actor-manager
    because he took complete responsibility (supervision of sets, lighting, direction, casting, as well as playing the leading roles) for season after season at the
    Lyceum Theatre
    , establishing himself and his company as representative of English classical theatre. In 1895 he became the first actor to be awarded a
    knighthood
    , indicating full acceptance into the higher circles of British society.
    Irving is widely acknowledged to be one of the inspirations for
    Count Dracula
    , the title character of the 1897 novel
    Dracula
    whose author,
    Bram Stoker
    , was business manager of the theatre.
    Irving was born to a
    working-class
    family in
    Keinton Mandeville
    in the county of
    Somerset
    .
    [1]
    W.H. Davies
    , the celebrated poet, was a cousin. Irving spent his childhood living with his aunt, Mrs Penberthy, at
    Halsetown
    in
    Cornwall
    . He competed in a recitation contest at a local
    Methodist
    chapel where he was bested by
    William Curnow
    , later the editor of
    The Sydney Morning Herald
    .
    [2]
    He attended City Commercial School for two years before going to work in the office of a law firm at age 13. When he saw
    Samuel Phelps
    play
    Hamlet
    soon after this, he sought lessons, letters of introduction, and work in a theatre in
    Sunderland
    in 1856, labouring against great odds until his 1871 success in
    The Bells
    in
    London
    set him apart from all the rest.
    He married Florence O'Callaghan on 15 July 1869 at St. Marylebone, London, but his personal life took second place to his professional life. On opening night of
    The Bells
    , 25 November 1871, Florence, who was pregnant with their second child, criticised his profession: "Are you going on making a fool of yourself like this all your life?" Irving exited their carriage at
    Hyde Park Corner
    , walked off into the night, and chose never to see her again. He maintained a discreet distance from his children as well, but became closer to them as they grew older. Florence Irving never divorced Irving, and once he had been knighted she styled herself "Lady Irving"; Irving never remarried.
    [3]
    Sir Henry Irving, as
    Hamlet
    , in an 1893 illustration from
    The Idler
    magazine
    His elder son,
    Harry Brodribb Irving
    (1870–1919), usually known as "H B Irving", became a famous actor and later a theatre manager. His younger son,
    Laurence Irving
    (1871–1914), became a
    dramatist
    and later drowned, with his wife, in the sinking of the
    Empress of Ireland
    . H B married
    Dorothea Baird
    and they had a son,
    Laurence Irving
    (1897–1988), who became a well-known
    Hollywood
    art director and his grandfather's biographer.
    In November 1882 Irving became a
    Freemason
    , being initiated into the prestigious Jerusalem Lodge No 197 in London.
    [4]
    In 1887 he became a founder member and first Treasurer of the Savage Club Lodge No 2190,
    [5]
    a Lodge associated with London's
    Savage Club
    .
    He eventually took over the management of the Lyceum Theatre and brought actress
    Ellen Terry
    into partnership with him as
    Ophelia
    to his Hamlet,
    Lady Macbeth
    to his
    Macbeth
    ,
    Portia
    to his
    Shylock
    , Beatrice to his Benedick, etc. Before joining the Lyceum, Terry had fled her first marriage and conceived two out-of-wedlock children with architect-designer
    Edward William Godwin
    , but regardless of how much and how often her behavior defied the strict morality expected by her Victorian audiences, she somehow remained popular. It could be said that Irving found his family in his professional company, which included his ardent supporter and manager Bram Stoker and Terry's two illegitimate children, Teddy and Edy.
    Whether Irving's long, spectacularly successful relationship with leading lady
    Ellen Terry
    was romantic as well as professional has been the subject of much historical speculation. Most of their correspondence was lost or burned by her descendants.
    [6]
    According to
    Michael Holroyd
    's book about Irving and Terry,
    A Strange Eventful History
    :
    Years later, when Irving was dead, Marguerite Steen asked Ellen whether she really had been Irving's lover, and she promptly answered: 'Of course I was. We were terribly in love for a while.' But at earlier periods in her life, when there were more people around to be offended, she said contradictory things.
    Terry's son Teddy, later known as
    Edward Gordon Craig
    , spent much of his childhood (from 1879, when he was 8, until 1897) indulged by Irving backstage at the Lyceum. Craig, who came to be regarded as something of a visionary for the theatre of the future, wrote an especially vivid, book-length tribute to Irving. ("Let me state at once, in clearest unmistakable terms, that I have never known of, or seen, or heard, a greater actor than was Irving.")
    George Bernard Shaw
    , at the time a theatre critic who was jealous of Irving's connection to Ellen Terry (whom Shaw himself wanted in his own plays), conceded Irving's genius after Irving died.
    William Ordway Partridge
    (April 11, 1861 – May 22, 1930) was an American
    sculptor
    whose public commissions can be found in New York City and other locations.
    William Partridge was born in Paris to American parents descended from the Pilgrims in Massachusetts; his father was a representative of
    A.T. Stewart
    . At the end of the reign of
    Napoleon III
    , Partridge travelled to America to attend
    Adelphi Academy
    in
    Brooklyn
    and
    Columbia University
    (graduated 1883) in New York. After a year of experimentation in theatre, he went abroad to study sculpture. During a brief stint in the Paris studio of
    William-Adolphe Bouguereau
    , he formed a close friendship with the neo-Gothic architect
    Ralph Adams Cram
    on his 1887 trip.
    [1]
    He knew the young
    Bernard Berenson
    in
    Florence
    , where he studied in the studio of Galli, and
    Rome
    , in the studio of Pio Welonski (1883–1885).
    [2]
    His published work includes articles on
    aesthetics
    and several art history books including
    Art For America
    (1894),
    The Song Life of a Sculptor
    (1894), and
    The Technique of Sculpture
    (1895). He also wrote poems and published the verse novels
    Angel of Clay
    (1900) and
    The Czar's Gift
    (1906).
    [3]
    Aside from his public commissions, his work consisted mostly of portrait busts. In 1893 eleven of his works were displayed at the
    World's Columbian Exposition
    , Chicago, according to the official catalog of the Fine Arts Building at the fair, where he exhibited sculptures of
    Alexander Hamilton
    and
    William Shakespeare
    [4]
    as well as portraits. In this same catalog Partridge was listed as living in
    Milton, Massachusetts
    . He maintained homes and studios in both Milton and New York. Among his studio assistants on West 38th Street in New York was
    Lee Lawrie
    .
    Partridge went on to lecture at
    Stanford University
    in California, and assumed a
    professorship
    at Columbian University, now
    George Washington University
    , in Washington, D.C.
    His life-size statue of the
    Native American
    princess
    Pocahontas
    was unveiled in
    Jamestown, Virginia
    in 1922.
    Queen Elizabeth II
    viewed this statue in 1957 and again on May 4, 2007, while visiting Jamestown on the 400th anniversary of the founding of the first successful English colonial settlement in America. On October 5, 1958, a replica of the
    Pocahontas
    statue by Partridge was dedicated as a memorial to the princess at the location of her burial in 1617 at
    St. George's Church
    in
    Gravesend
    , England. The Governor of Virginia presented the replica statue as a gift to the British people.
    Partridge died in
    Manhattan
    , New York on May 22, 1930.
    Selected works
    [
    edit
    ]
    Pocahontas
    , erected in
    Jamestown, Virginia
    , 1922
    A considerable amount of Partridge's
    statuary
    remains on public display in New York City and other locations:
    Samuel J. Tilden
    , on Riverside Drive at 113th Street.
    Statue of Thomas Jefferson
    (1914), in front of Journalism Hall at
    Columbia University
    .
    Thomas Jefferson
    , New-York Historical Society, 1901.
    [5]
    Alexander Hamilton
    ,
    Hamilton Grange
    , New York, (1892.
    [6]
    ) This standing figure was commissioned by the Hamilton Club of Brooklyn and having been exhibited at the World's Columbian Exposition, stood in front of the Club's premises in Brooklyn Heights, 1893–1936, when it was removed to its present location.
    [7]
    A
    1908 replica
    stands in front of Hamilton Hall, Columbia University.
    [8]
    Edward Everett Hale
    , bust, Union League Club of Chicago. (
    Appleton's Cyclopaedia
    )
    A bust of
    Dean
    John Howard Van Amringe
    at Columbia University.
    Nathan Hale
    [9]
    The marble memorial plaque showing the likeness of
    James Smithson
    in the crypt room where Smithson's tomb is located, inside The Castle Building of the
    Smithsonian Institution
    , Washington, D.C., 1900. The original of this work is in
    Genoa, Italy
    , where Smithson died.
    [10]
    The Resurrection
    , marble bas-relief for the
    National Cathedral
    , Washington, D.C., 1902.
    The
    marble
    Pietà
    at
    St. Patrick's Cathedral
    .
    The
    equestrian
    statue of General
    Ulysses S. Grant
    , commissioned by the Union Club of Brooklyn and unveiled April 27, 1896, in Grant Square, at Bedford Avenue and Dean Street, Crown Heights,
    Brooklyn
    .
    The bust of
    Theodore Roosevelt
    at the Republican Club.
    The marble
    Peace Head
    at the
    Metropolitan Museum of Art
    , New York.
    Anne's Tablet
    , memorial to
    Constance Fenimore Woolson
    ,
    Mackinac Island
    , Michigan
    Pietà
    ,
    St. Patrick's Cathedral
    , New York, transept.
    The
    Samuel H. Kauffman Memorial
    ca. 1921, Rock Creek Cemetery, Washington, D.C. A seated bronze figure on a marble exedra with bronze bas-reliefs of the
    Seven Ages of Man
    after Shakespeare.
    [11]
    The
    Joseph Pulitzer
    Memorial
    (1913) in
    Woodlawn Cemetery
    , The Bronx.
    [12]
    Seated mourning figure.
    Memory
    1914. Memorial Art Gallery, Rochester, New York.